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New York gives you numerous choices when you are in a mood to attend an art gallery exhibition or be a part of an exhibition opening. Some sources say that there are more than a thousand of art galleries in NYC and, of  course, you do not have time to attend them all. But the good thing is that art galleries are usually located in clusters and so if you go to one of them, there is, basically, a 100% chance that you will be able to see art works, be that paintings or photos or scupltures, in many other art galleries located just nearby, whatever neightborhood you happen to be in.

The very first neighborhood where artist lived and art galleries thrived in New York City was Grenwich Village, which boated active art scene as far back as 1850. That active art scene did last: Greenwich Village was the place where Gertrude Vanderbilt Whitney opened her Whitney Studio Club Gallery in 1914, which would become the Whitney Museum for American Art (now located in Chelsea).

With immigrants pouring into the city in larger numbers than ever before at the turn of the century, the wealthy families tried to outrun their spread uptown by moving to the Upper East Side. The art galleries followed the buyers and established themselves in the neighboorhood as well.

Midtown, Grenwich Village and the Upper East Side housed most of the New York art galleries for over 100 years. Those three neighborhoods continue to house many of Manhattan art galleries. Upper East Side art galleries are located mostly in the area between Park and Fifth Aves in the mid-70s. Midtown art galleries are clustered near Fifth Avenue. Many of them are on the 57th St. They usually represent big name artists.

Early in the 1960s artists started moving into the neglected commercial lofts of the cast-iron district south of Houston Street, known as SoHo. In the 1970s and ’80s SoHo was the City’s best-known art distric. But SoHo art galleries became the victims of the neighborhood's success which they themselves have created. Before the artists moved into SoHo, the neightborhood was an array of empty factories buildings and abandoned warehouses. Artists moved in as the premises had lots of light and space, and were dirt cheap. As the artists were right there, the art galleries sprang up. The neighboorhood attarcted crowds and so retailers decided to capitalize on the cool images that SoHo have attained. They flooded the area and it made the rents go skyhigh and made the area unaffordable to the artist community. This story repeats itself in many towns and cities all over the world, and so instead of dwelling on it, let us tell you which other neighborhoods have the galleries that you may want to atend. SoHo has become more of a shopping mall than a place to see intereating art work, although about 20 galleries are still located there. 

The first place that comes to mind when one talks about the artists' and galleries' flight from SoHo is, of course, Chelsea. That's where many of SoHo galleries had to run to when the skyrocketed rent forced them to leave SoHo in the 90s. Chelsea art galleries are located between 18th and 28th Streets going South/North and between 10th and 11th Avenues going East/West. If you start there you may end staying there, as Chelsea's list of galleries has about 200 names or so.

Another gallery district is the Lower East Side, which is located east of Bowery and between Houston and Grand Streets. The galleries here usually show up and coming artists. You can see there lots of local grown art. The neighborhood is filled with inviting bars, cafes and restaurants, and with small smart clothing shops. So you can combine gallery hoping with bar hoping and with shopping for something off the beaten track.
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45 Exhibition Openings at New York Art Galleries (NYC) Thu, 09/12/2024 - and on...

There are over a thousand art galleries in New York, most of which are located in six Manhattan neighborhoods: Chelsea, SoHo, Midtown, Upper East Side, Greenwich Village, and East Village. It is almost impossible to list all the exhibition openings that take place in NYC art galleries. Here is a good sampling to start with.

        

Opening Reception | Honor Among Outlaws: Selected Works from Kuniyoshi's 108 Heroes of the Popular Suikoden


Classic heroes gain fresh resonance in Kuniyoshi Utagawa’s 108 Heroes of the Popular Suikoden (c.1827-30). Pulling the viewer into a whirlwind of muscular limbs, lavish textiles, and lethal weapons, Kuniyoshi reimagined 12th-century Chinese bandits as fierce paragons of self-made justice for a 19th-century Japanese audience. Adapted from the classic Chinese novel of the same name, Tales of the Water Margin (Suikoden) stresses honor and loyalty as a band of outlaw heroes bring down crooked officials through their own code of justice. Stifled by the social stratification and political censorship of the Tokugawa Shogunate, Edo’s merchant class embraced these stories. As Kuniyoshi channeled this zeitgeist, he elevated the warrior print genre and established himself as the master of all subjects fierce and fantastic. Ronin Gallery is pleased to present 35 of these very rare, early works.
   New York City, NY; NYC
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Thu, Sep 12
5:00 pm

Free
Opening Receptions, September 12, 2024, 09/12/2024, Honor Among Outlaws: Selected Works from Kuniyoshi's 108 Heroes of the Popular Suikoden

Opening Reception | Copy, Cut + Paste: The Visual Language of Ivan Chermayeff


An exhibition of mixed media collages and other works by the legendary designer.
   New York City, NY; NYC
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Thu, Sep 12
5:30 pm

Free
Opening Receptions, September 12, 2024, 09/12/2024, Copy, Cut + Paste: The Visual Language of Ivan Chermayeff

Opening Reception | 2 Art Openings: Make Do and Mend / Sarah Cain


Lubaina Himid: Make Do and Mend United Kingdom-based artist Lubaina Himid presents a solo exhibition comprising two new bodies of work: a suite of Strategy Paintings that depict Black men and women seated around tables featuring different configurations of objects—in each case, imagining a specific problem to be solved; and an arrangement of sixty four plank paintings entitled The Aunties, building on her previous plank works that evoke the form of funerary objects from East Africa.   Spotlight: Sarah Cain The Spotlight series includes a new or never-before-exhibited artwork paired with a commissioned piece of writing, creating focused and thoughtful conversations between the visual arts and authors, critics, poets, scholars, and beyond. In this iteration, the Spotlight features Sarah Cain’s Path of Totality, 2024. A text by curator and writer Jamillah James accompanies the presentation.
   New York City, NY; NYC
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Thu, Sep 12
6:00 pm

$5
Opening Receptions, September 12, 2024, 09/12/2024, 2 Art Openings: Make Do and Mend / Sarah Cain

Opening Reception | Doug Wheeler: Day Night Day


A new light installation by American artist Doug Wheeler (b. 1939). Over the past six decades, Wheeler has become known for his innovative constructions and installations that engage with the experience of light, space, and sound. On view will be an immersive environment by the artist that further expands on his groundbreaking investigations of the possibilities of luminous space.
   New York City, NY; NYC
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Thu, Sep 12
6:00 pm

Free
Opening Receptions, September 12, 2024, 09/12/2024, Doug Wheeler: Day Night Day

Opening Reception | In Power and Repose: A Group Show of Contemporary African Portraiture


This show explores the rich tapestry of contemporary African portraiture through the lens of three visionary artists: Kelani Fatai Oladimeji, Frank Coffie, and Olasunkanmi Akomolehin.
   New York City, NY; NYC
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Thu, Sep 12
6:00 pm

Free
Opening Receptions, September 12, 2024, 09/12/2024, In Power and Repose: A Group Show of Contemporary African Portraiture

Opening Reception | Inside My Mind: Group Show


Imagine your mind, your brain, your head is a physical space. What would you find? Is it open or closed? Light or dark? Comfortable or distressing? Curated by Sophie Flack, Inside My Mind invited artists to create work that represented or expressed what it would be like if the viewer could take a tour of each artist's brain, and glimpse a part of the artists that no one can see.
   New York City, NY; NYC
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Thu, Sep 12
6:00 pm

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Opening Receptions, September 12, 2024, 09/12/2024, Inside My Mind: Group Show

Opening Reception | Joel Shapiro: Painted Wood Sculpture


An exhibition of new large-scale works by Joel Shapiro, spotlighting three never-before-exhibited painted wood sculptures. One of America's most renowned artists, Shapiro has pushed the boundaries of sculptural form over the course of his 55-year career with a body of work distinguished by its dynamism, complexity, and formal elegance. Over the past two decades, the kinetic, often cantilevered compositions that defined Shapiro’s work throughout the 1980s and 1990s have been torn apart and reassembled into newly rapturous, chromatic combinations. In his upcoming show in New York, Shapiro relinquishes the suspended forms of his 2010 Pace installation—which the late critic Peter Schjeldahl described in The New Yorker as “like a Malevich canvas bursting to life in 3-D”—and returns with renewed vigor to vibrant, precariously joined, free-standing sculptures that, although floor-bound, retain intimations of flight, expansion, and buoyancy. All the works in this exhibition began as studies between 2020 and 2022, and the centerpiece will be a multipart sculpture, ARK, which careens across the gallery as it verges on taking off, its brightly colored limbs, volumes, and planks projecting outward as if from a maelstrom.
   New York City, NY; NYC
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Thu, Sep 12
6:00 pm

Free
Opening Receptions, September 12, 2024, 09/12/2024, Joel Shapiro: Painted Wood Sculpture

Opening Reception | Mary Corse: Presence in Light


An exhibition of new work by Mary Corse. This presentation marks Corse’s first solo show in the city since 2019 and follows several recent institutional exhibitions by the artist at the Long Museum West Bund in Shanghai and the Amorepacific Museum of Art in Seoul, as well as her 2018 traveling retrospective at the Whitney Museum of American Art in New York and the Los Angeles County Museum of Art. Over the course of her six-decade career, Corse has explored phenomena of light, space, and perception in sublime and boundary-crossing abstractions across mediums. A key member of the Los Angeles artist community from the 1960s to the present, she is often associated with the Light and Space movement but has always been committed to the possibilities of painting, which remains her primary concern. As part of her empirical and highly tactile approach to art making, Corse has continually investigated the ways in which light can be both subject and material. In the late 1960s, while searching for a way to embed light inside her paintings, Corse experienced an epiphany. Driving along the Pacific Coast Highway in Malibu at sunset, she noticed the road markings were progressively illuminated by headlights as she drove along. Investigating the industrial applications that make this effect possible, she discovered glass microspheres—a material used to enhance visibility of road signage. In 1968, Corse began applying these refractive microspheres onto the surfaces of her White Light paintings, endowing these works with a sense of illumination projected from within the picture plane itself.
   New York City, NY; NYC
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Thu, Sep 12
6:00 pm

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Opening Receptions, September 12, 2024, 09/12/2024, Mary Corse: Presence in Light

Opening Reception | Nan Goldin: You never did anything wrong


Prints by the noted artist.
   New York City, NY; NYC
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Thu, Sep 12
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Opening Receptions, September 12, 2024, 09/12/2024, Nan Goldin: You never did anything wrong

Opening Reception | Paul de Flers: Poisson - Scorpion


“Isolation is not a place, but a condition.” This reflective line from Nicolas Bouvier's novel Le Poisson-Scorpion serves as a central theme in this new body of work from Paul de Flers. Bouvier’s narrative of exile and introspection on the remote Rodrigues Island finds a visual counterpart in de Flers’ paintings, which are set in the tropical paradise of Pico, at the edge of the Azores archipelago. However, this paradise, much like the island in Bouvier’s novel, is both a physical and psychological space where characters confront their inner selves. The artist creates intimate scenes of alienation in remote and unknown settings, where there is no reference to time or the identities. His characters await the unrevealed, gazing in unspecified directions. What has captured their attention? The tension within these scenes is so profound that it extends beyond the canvas, drawing viewers into an inward-looking dialogue with de Flers' blurry figures. De Flers makes the contours and perspectives disappear, extending our gaze to feel the dissolving of colors and find the hidden shapes within the oil.
   New York City, NY; NYC
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Thu, Sep 12
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Opening Receptions, September 12, 2024, 09/12/2024, Paul de Flers: Poisson - Scorpion

Opening Reception | Stan Douglas: The Enemy of All Mankind


Aan exhibition by Stan Douglas (b. 1960) featuring a new photographic series. In this stand-alone group of nine images, Douglas stages scenes from the eighteenth-century comic opera Polly, written by English dramatist John Gay (1685–1732), using the narrative as a vehicle through which to engage a wide range of themes that remain highly relevant today, including race, class, gender, and media.
   New York City, NY; NYC
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Thu, Sep 12
6:00 pm

Free
Opening Receptions, September 12, 2024, 09/12/2024, Stan Douglas: The Enemy of All Mankind

Opening Reception | Suzanne Anker: Arctic Gardens and the Sixth Extinction


Suzanne Anker is a visual artist and theorist working at the intersection of art and the biological sciences. Her practice investigates the ways in which nature is being altered in the 21st century. Concerned with genetics, climate change, species extinction and non-human life forms, she calls attention to the beauty of life and the “necessity for enlightened thinking about nature’s ‘tangled bank’.” Anker frequently works with “pre-defined and found materials” botanical specimens, medical museum artifacts, laboratory apparatus, microscopic images and geological specimens.
   New York City, NY; NYC
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Thu, Sep 12
6:00 pm

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Opening Receptions, September 12, 2024, 09/12/2024, Suzanne Anker: Arctic Gardens and the Sixth Extinction

Opening Reception | Tetiana Levitskaia: Selections from the Kolodzei Art Foundation


This exhibition features a selection of works on paper and paintings by the prominent nonconformist artist Tatiana Levitskaia (b. 1944 in Kyiv, Ukraine). It offers a glimpse into her creative process and celebrates her artistic journey. Levitskaia studied design at the Moscow Textile Institute. In 1969, Levitskaia met her future husband, artist Borukh (Boris Shteinberg,1938-2003). Drawn to experimental art, Tatiana and Borukh were part of Moscow's lively artistic underground. Tatiana Levitskaia became interested in experimental techniques early in her career. Their apartment was used as a gallery for exhibiting works by unofficial young artists. Her favorite medium was, and remains, enamel paint. As Levitskaia recalls: "My discovery of enamel paint was purely accidental, happening back in the early 1970s. While I was busy designing shop windows, the workshop next door was using enamel to paint structures. Initially drawn by the unique scent, I was soon offered some enamel to experiment with. This marked the beginning of my exploration with pouring, dripping, and drawing thin lines with the paint, even mixing it with other paints. From paper and canvas to wood, hardboard, and cardboard, the paint flowed freely, both horizontally and vertically, blending and leaving its mark as if guided by an unseen hand. I merely directed its path, and in doing so, extraordinary images emerged--landscapes, flowers, portraits, and even cosmic vistas. No other artistic technique has ever brought me such immense joy, each day revealing a whole new artistic reality. My fascination with enamel painting continues to this day."
   New York City, NY; NYC
Thu, Sep 12
6:00 pm

Free
Opening Receptions, September 12, 2024, 09/12/2024, Tetiana Levitskaia: Selections from the Kolodzei Art Foundation

Museums | American History, Artifact Collections and Some Laughs in Between


Enjoy a stroll through galleries of an extensive collection of American art, learn about the history of New York and the USA. You can also catch a stand up comedy show from 6 pm to 7 pm. Last admission is at 7 pm.
   New York City, NY; NYC
Fri, Sep 13
5:00 pm

Pay-what-you-wish admission, reservation...
Museumss, September 13, 2024, 09/13/2024, American History, Artifact Collections and Some Laughs in Between

Opening Reception | Brandon Ndife: Clearance


Ndife’s material transformations cultivate an intimate dissonance between the natural and the manufactured, nesting organic shapes (branches, roots, and gourds) within sculptural shells that resemble domestic furniture—ingeniously hand-built to evoke the mass-produced items that order our private lives. His work confounds the lifecycle of consumer objects with its uncanny mix of ripening and rot, and functions for the artist as a conduit to broader systems of uneven distribution. The exhibition design embeds the work in a sprawling environment that recalls a city street, where discarded items left curbside are vulnerable to weathering and prying eyes, yet also made available to fresh encounter—to change hands and find new use.
   New York City, NY; NYC
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Fri, Sep 13
6:00 pm

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Opening Receptions, September 13, 2024, 09/13/2024, Brandon Ndife: Clearance

Opening Reception | Divine Violence: 3-Artist Show


Divine Violence is conceived around “Jin, Jîyan, Azadî (ژن، ژیان، ئازادی),” or “Women, Life, Freedom.” Not just a slogan; “Jin, Jîyan, Azadî (ژن، ژیان، ئازادی),” is the discourse that came to light following the killing of a woman, Mahsa Amini, at the age of 22 by morality police in Iran. The phrase defines the actions taken by women toward freedom and gender equality in the Islamic state. The death of Amini, was the sacrification of the woman, which is both sanctified and cursed. In other words, the finger cut by the Sharia doesn’t hurt. The action ignited the feminist revolutionary struggle in Iran.  This exhibition seeks to investigate the ordinary and extraordinary emancipatory actions for women’s lives and freedom in the Middle East from post-revolutionary Iran to today.. Moreover, this exhibition will provide an alternative reading of Middle Eastern history through the lens of Islamic feminism and feminist solidarity. The controversial role of Middle Eastern women in the Islamic world will be critiqued.. The geography of violence will be reinterpreted through the narratives, realities, testimonies, and distorted memories in Islamic feminist history.  The exhibition brings together an artist/lawyer SB Arch Lab, a researcher/curator Gülistan Kenanoğlu, and an artist/architect Çağlar Hanaylı who stand opposite the feudal, sexist, and patriarchal system. Through their similar stories and the stories they have witnessed they will reinterpret Islamic feminist history through the lens of women’s liberation.  
   New York City, NY; NYC
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Fri, Sep 13
6:00 pm

Free
Opening Receptions, September 13, 2024, 09/13/2024, Divine Violence: 3-Artist Show

Opening Reception | Richard Tuttle: A Distance From This


An exhibition of new works by an artist who has continually expanded the contours of contemporary practice since the 1960s. The exhibition debuts a suite of works Tuttle created over the past year, following a trip to Guatemala in February 2024. At once exuberant and evanescent, Tuttle’s new works are meditations on form, language, and memory as ligaments that bind art and life.
   New York City, NY; NYC
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Fri, Sep 13
6:00 pm

Free
Opening Receptions, September 13, 2024, 09/13/2024, Richard Tuttle: A Distance From This

Opening Reception | Spencer Sweeney: The Painted Bride


Centered on the human figure, The Painted Bride features new, large-scale works by Spencer Sweeney, ranging from self-portraits to reclining nudes. 
   New York City, NY; NYC
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Fri, Sep 13
6:00 pm

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Opening Receptions, September 13, 2024, 09/13/2024, Spencer Sweeney: The Painted Bride

Museums | Asia's Diverse Cultures: From Ancient to Contemporary


Discover art that traverses Asia's diverse cultures, regions, and narratives. The Museum's special exhibitions celebrate art forms that range from ancient to contemporary, including photography and multimedia, while its permanent collection galleries are focused primarily on art from the Himalayan region.
   New York City, NY; NYC
Fri, Sep 13
6:00 pm

Free
Museumss, September 13, 2024, 09/13/2024, Asia's Diverse Cultures: From Ancient to Contemporary

Museums | Jewish History: Centuries of Art


As one of the largest collections of art in Jewish culture globally, the venue features an extensive array of historical Jewish artifacts as well as modern and contemporary art.
   New York City, NY; NYC
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Sat, Sep 14
11:00 am

Free
Museumss, September 14, 2024, 09/14/2024, Jewish History: Centuries of Art

Opening Reception | Richard Tuttle, Choong Sup Lim, Hawkins Bolden: Form & Composition


A new exhibition on the sculptural works of Choong Sup Lim, Richard Tuttle and Hawkins Bolden. These visionary artists defy the conventional boundaries of sculpture and usher audiences into a spiritual world where art transcends form and space. Each artist's work is a highly personal expression – an assemblage not only of materials, but of memory.
   New York City, NY; NYC
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Mon, Sep 16
5:30 pm

Free
Opening Receptions, September 16, 2024, 09/16/2024, Richard Tuttle, Choong Sup Lim, Hawkins Bolden: Form & Composition

Opening Reception | David WIseman: Works from the Lost Valley


In his latest body of work, David Wiseman has shifted his focus from architectural immersion—sprawling installations of walls, ceilings, and entire rooms—to the more intimate scale of chairs, tables, mirrors, and other functional forms. Moving from large-scale installations to discrete objects may at first seem like a contraction in scope, but instead the shift feels more like to an expansion of vision and confidence. The wonder-evoking magic of Wiseman’s bespoke environmental interventions is now distilled into individual objects of extraordinary power, poignancy, and beauty. Like an ironic spin on the Modernist axiom that less is more, his chairs and mirrors offer immersive experiences every bit as rich and layered as those of his meticulously wrought spatial explorations. Alive with curiosity, affection, and astonishing technical mastery, the new pieces dance joyously at the intersection of humanity, artistry, and glorious nature.
   New York City, NY; NYC
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Wed, Sep 18
6:00 pm

Free
Opening Receptions, September 18, 2024, 09/18/2024, David WIseman: Works from the Lost Valley

Opening Reception | Beyond Patchwork: The Abstractions of Yvonne Wells


Born in 1939 in Tuscaloosa, Yvonne Wells is a self-taught textile artist living and working in the same region that was home to the enslaved female quilters of the rural community known as Gee’s Bend. While versed in the heritage techniques associated with them, Wells possesses a deeply maverick attitude that has freed her to break the rules of traditional quilt- making and forge a decidedly individualistic artistic path with her own invented visual vernacular. Wells has attracted acclaim over past decades for works that assert a bold narrative figuration, taking on cultural and sociopolitical topics that range from portraits of Pop icons to the ongoing struggle for rights and equality. Against that backdrop, the exhibition will be the very first to elucidate a different aspect of Wells’ practice— her unique relationship to abstraction as an intuitive and improvisational method of construction and a liberating form of self-expression.
   New York City, NY; NYC
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Thu, Sep 19
6:00 pm

Free
Opening Receptions, September 19, 2024, 09/19/2024, Beyond Patchwork: The Abstractions of Yvonne Wells

Opening Reception | Gala Porras-Kim: The motion of an alluvial record


The motion of an alluvial record is an atmospheric installation by artist Gala Porras-Kim that explores the complex relationships between cultural institutions, the objects they preserve, and the environments from which these objects originate. Central to this exhibition is a mud work composed of clay sourced from the wetlands of the Yucatán Peninsula. This material, layered with centuries of sediment, serves as a living archive—a tangible record of both geological and human histories. When submerged in water, the clay's particles, each from a range of eras, defy linear chronology and form a tableau that captures a holistic and cyclical view of time, thus echoing the Maya understanding of the fluidity of time.
   New York City, NY; NYC
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Thu, Sep 19
6:00 pm

Free
Opening Receptions, September 19, 2024, 09/19/2024, Gala Porras-Kim: The motion of an alluvial record

Opening Reception | Jiro Takamatsu: Shadow and Perspective


Jiro Takamatsu was a profoundly influential artist, theorist, and teacher who emerged in postwar Japan in the early 1960s. The presentation will focus on Takamatsu’s Shadow and Perspective concepts—throughout his entire oeuvre, Takamatsu used the term “concept” to denote certain ideas or phenomena. Bringing together a selection of his paintings, drawings, and sculptural objects dating from 1966 to 1997, this exhibition will showcase his inventive, deeply philosophical practice and his important role in the development of Conceptual Art.
   New York City, NY; NYC
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Thu, Sep 19
6:00 pm

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Opening Receptions, September 19, 2024, 09/19/2024, Jiro Takamatsu: Shadow and Perspective

Opening Reception | Jon Serl: No straight lines


An exhibition exploring the art and legacy of self-taught American painter Jon Serl (Joseph Searles, 1894–1993), which will take place at the gallery’s East 69th Street location. The son of a vaudeville family, Serl acted in traveling shows as a child, took on other unconventional roles, and came to painting seriously only later, in the 1940s. Drawing from his own freewheeling life and myriad experiences, Serl adopted a pictorial idiom and highly expressionistic style that embrace the spectrum between reality and fantasy; his figurative paintings depict still lifes, landscapes, and a range of everyday subject matter—an artist in the studio, a procession of chapel attendees, a couple waltzing—in bold colors and formations that appear as if presented on stage.
   New York City, NY; NYC
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Thu, Sep 19
6:00 pm

Free
Opening Receptions, September 19, 2024, 09/19/2024, Jon Serl: No straight lines

Museums | American History, Artifact Collections and Some Laughs in Between


Enjoy a stroll through galleries of an extensive collection of American art, learn about the history of New York and the USA. You can also catch a stand up comedy show from 6 pm to 7 pm. Last admission is at 7 pm.
   New York City, NY; NYC
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Fri, Sep 20
5:00 pm

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Museumss, September 20, 2024, 09/20/2024, American History, Artifact Collections and Some Laughs in Between

Museums | Asia's Diverse Cultures: From Ancient to Contemporary


Discover art that traverses Asia's diverse cultures, regions, and narratives. The Museum's special exhibitions celebrate art forms that range from ancient to contemporary, including photography and multimedia, while its permanent collection galleries are focused primarily on art from the Himalayan region.
   New York City, NY; NYC
Fri, Sep 20
6:00 pm

Free
Museumss, September 20, 2024, 09/20/2024, Asia's Diverse Cultures: From Ancient to Contemporary

Museums | Jewish History: Centuries of Art


As one of the largest collections of art in Jewish culture globally, the venue features an extensive array of historical Jewish artifacts as well as modern and contemporary art.
   New York City, NY; NYC
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Sat, Sep 21
11:00 am

Free
Museumss, September 21, 2024, 09/21/2024, Jewish History: Centuries of Art

Opening Reception | Ik-Joong Kang: We Are Connected


Ik-Joong Kang bridges East and West through his evocative art. This exhibition reflects his artistic world weaving diverse elements into a harmonious tapestry to illustrate the interconnectedness of our global community. At the heart of Kang's aesthetic is a macrocosmic worldview that transcends boundaries of race, nationality, age, gender, and nature. This expansive perspective is complemented by his microcosmic view, shaped by his formative experiences as a Korean artist in New York during the 1980s and 1990s. While studying at Pratt Institute in 1984, Kang carried a 3-inch canvas in his pocket, sketching diverse New Yorkers during his subway rides and long work hours. These early experiences honed his skill in capturing intricate details while envisioning grand-scale projects. Kang's art transforms everyday materials and traditional motifs into profound visual narratives. His monumental works, such as the vast installations composed of thousands of small parts, serve as metaphors for the collective human experience. Each fragment, whether it be a piece of glazed porcelain, a Hangeul tile, or a multimedia element, embodies a story, a memory, or a piece of cultural heritage.
   New York City, NY; NYC
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Wed, Sep 25
6:00 pm

Free
Opening Receptions, September 25, 2024, 09/25/2024, Ik-Joong Kang: We Are Connected

Opening Reception | Coney Island, Spectacular: Art and Historical Photographs


Coney Island, described by E.E. Cummings as a "fusion of the circus and the theater," has long been a hub of artistic inspiration and cultural spectacle. This exhibition at the Rare Book & Manuscript Library showcases historical and contemporary perspectives on Coney Island, including historical photographs and archives from the W.F. Mangels Company, alongside new art by Javier Griffey, Sharon Lee, and Vivien Ko Sweet. The exhibition explores Coney Island's role as a site of working-class leisure, artistic creativity, and cultural labor, reflecting on its ongoing impact as a symbol of both nostalgia and novelty.
   New York City, NY; NYC
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Thu, Sep 26
5:00 pm

Free
Opening Receptions, September 26, 2024, 09/26/2024, Coney Island, Spectacular: Art and Historical Photographs

Opening Reception | Michael Dweck: Blunderbust


Michael Dweck’s childhood fascination with the stock car races he grew up with is reflected in this breakthrough exhibition of photographs and paintings. Raceways were a vital part of the town culture when Dweck was growing up near Long Island. In 2007, he returned to the last remaining course track at Riverhead with its “Blunderbust” races. The racetrack served not only as his subject and studio for over ten years but also as a metaphor for a global cultural phenomenon: the erosion of concrete identity, the collapse of community institutions, and the decay of handmade objects. This work culminated in the photographs and paintings included in this exhibition and his 2018 directorial debut film The Last Race, which premiered at the Sundance Film Festival that year.
   New York City, NY; NYC
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Thu, Sep 26
6:00 pm

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Opening Receptions, September 26, 2024, 09/26/2024, Michael Dweck: Blunderbust

Museums | American History, Artifact Collections and Some Laughs in Between


Enjoy a stroll through galleries of an extensive collection of American art, learn about the history of New York and the USA. You can also catch a stand up comedy show from 6 pm to 7 pm. Last admission is at 7 pm.
   New York City, NY; NYC
Fri, Sep 27
5:00 pm

Pay-what-you-wish admission, reservation...
Museumss, September 27, 2024, 09/27/2024, American History, Artifact Collections and Some Laughs in Between

Museums | Jewish History: Centuries of Art


As one of the largest collections of art in Jewish culture globally, the venue features an extensive array of historical Jewish artifacts as well as modern and contemporary art.
   New York City, NY; NYC
Sat, Sep 28
11:00 am

Free
Museumss, September 28, 2024, 09/28/2024, Jewish History: Centuries of Art

Opening Reception | Irwin Rubin: ‘60s Polychrome


An exhibition of painted wood constructions and collages by Irwin Rubin. Irwin Rubin (1930-2006) was a Brooklyn-born artist and educator. The show focuses on the painted woodwork and collages Rubin produced between 1960 and 1966. The exhibition includes his boxed constructions made up of cropped pegs and bisected rods, assembled into lollypop gardens, alien alphabets and kaleidoscopic architectural structures atop which Rubin conducts planar explorations of color harmony and optical phenomenon. Contrasting these works in relief are intimate compositions made with cut paper, printed fabric, lace and pressed leaves.
   New York City, NY; NYC
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Tue, Oct 1
6:00 pm

Free
Opening Receptions, October 01, 2024, 10/01/2024, Irwin Rubin: &lsquo;60s Polychrome

Museums | Design Museum and Sculpture Garden


The museum was designed and created in 1980's by one of the twentieth century's most important landscape architects and designers. It serves to preserve the legacy of the artist by showcasing his creations: sculptures, furniture pieces, lighting designs, ceramics, architecture, and more.
   New York City, NY; NYC
Fri, Oct 4
11:00 am

Free
Museumss, October 04, 2024, 10/04/2024, Design Museum and Sculpture Garden

Museums | Free Admission at Famous Museum for NYC Residents


This is your chance to see multiple floors of galleries with famous paintings. Proof of residency required.
   New York City, NY; NYC
Fri, Oct 4
4:00 pm

Free
Museumss, October 04, 2024, 10/04/2024, Free Admission at Famous Museum for NYC Residents

Museums | Jewish History: Centuries of Art


As one of the largest collections of art in Jewish culture globally, the venue features an extensive array of historical Jewish artifacts as well as modern and contemporary art.
   New York City, NY; NYC
Join the Club!
Go!
Sat, Oct 5
11:00 am

Free
Museumss, October 05, 2024, 10/05/2024, Jewish History: Centuries of Art

Museums | Historical Sanctuary: Paintings and Ceremonial Objects of Jewish Traditions


Explore this 135 year old sanctuary and experience the current exhibition: over four dozen paintings and ceremonial objects of Jewish ritual and tradition, with the artist in presence!
   New York City, NY; NYC
Thu, Oct 10
5:00 pm

Pay-what-you-wish, registration required
Museumss, October 10, 2024, 10/10/2024, Historical Sanctuary: Paintings and Ceremonial Objects of Jewish Traditions

Museums | Jewish History: Centuries of Art


As one of the largest collections of art in Jewish culture globally, the venue features an extensive array of historical Jewish artifacts as well as modern and contemporary art.
   New York City, NY; NYC
Join the Club!
Go!
Thu, Oct 17
11:00 am

Free
Museumss, October 17, 2024, 10/17/2024, Jewish History: Centuries of Art

Museums | Jewish History: Centuries of Art


As one of the largest collections of art in Jewish culture globally, the venue features an extensive array of historical Jewish artifacts as well as modern and contemporary art.
   New York City, NY; NYC
Join the Club!
Go!
Sat, Oct 19
11:00 am

Free
Museumss, October 19, 2024, 10/19/2024, Jewish History: Centuries of Art

Opening Reception | Faces & Facades: Paintings Inspired by Female Form and Architecture


The paintings blend organic and non-organic forms, taking inspiration from two sources: the female body and the architectural elements of buildings. This is a showcase of artworks by Andrea Arroyo.
   New York City, NY; NYC
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Sat, Oct 19
3:00 pm

Free
Opening Receptions, October 19, 2024, 10/19/2024, Faces & Facades: Paintings Inspired by Female Form and Architecture

Museums | Jewish History: Centuries of Art


As one of the largest collections of art in Jewish culture globally, the venue features an extensive array of historical Jewish artifacts as well as modern and contemporary art.
   New York City, NY; NYC
Fri, Oct 25
11:00 am

Free
Museumss, October 25, 2024, 10/25/2024, Jewish History: Centuries of Art

Museums | Jewish History: Centuries of Art


As one of the largest collections of art in Jewish culture globally, the venue features an extensive array of historical Jewish artifacts as well as modern and contemporary art.
   New York City, NY; NYC
Join the Club!
Go!
Sat, Oct 26
11:00 am

Free
Museumss, October 26, 2024, 10/26/2024, Jewish History: Centuries of Art

Museums | Design Museum and Sculpture Garden


The museum was designed and created in 1980's by one of the twentieth century's most important landscape architects and designers. It serves to preserve the legacy of the artist by showcasing his creations: sculptures, furniture pieces, lighting designs, ceramics, architecture, and more.
   New York City, NY; NYC
Join the Club!
Go!
Fri, Nov 1
11:00 am

Free
Museumss, November 01, 2024, 11/01/2024, Design Museum and Sculpture Garden
Complimentary Tickets

to shows, concerts ... (CFT Deals!)

Musical | Hit Show Musical Parody

Regular Price: $58.50
CFT Member Price: $0.00

Play | A Classic Story of Power, Redemption, and More

Regular Price: $35
CFT Member Price: $0.00

Classical Music | Orchestral Works by Faure, Mozart, and More

Regular Price: $29
CFT Member Price: $0.00
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