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Free events for Friday, 07/26/24
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Free Events, Free Things to Do in New York City!  Read More
New York gives you numerous choices when you are in a mood to attend an art gallery exhibition or be a part of an exhibition opening. Some sources say that there are more than a thousand of art galleries in NYC and, of  course, you do not have time to attend them all. But the good thing is that art galleries are usually located in clusters and so if you go to one of them, there is, basically, a 100% chance that you will be able to see art works, be that paintings or photos or scupltures, in many other art galleries located just nearby, whatever neightborhood you happen to be in.

The very first neighborhood where artist lived and art galleries thrived in New York City was Grenwich Village, which boated active art scene as far back as 1850. That active art scene did last: Greenwich Village was the place where Gertrude Vanderbilt Whitney opened her Whitney Studio Club Gallery in 1914, which would become the Whitney Museum for American Art (now located in Chelsea).

With immigrants pouring into the city in larger numbers than ever before at the turn of the century, the wealthy families tried to outrun their spread uptown by moving to the Upper East Side. The art galleries followed the buyers and established themselves in the neighboorhood as well.

Midtown, Grenwich Village and the Upper East Side housed most of the New York art galleries for over 100 years. Those three neighborhoods continue to house many of Manhattan art galleries. Upper East Side art galleries are located mostly in the area between Park and Fifth Aves in the mid-70s. Midtown art galleries are clustered near Fifth Avenue. Many of them are on the 57th St. They usually represent big name artists.

Early in the 1960s artists started moving into the neglected commercial lofts of the cast-iron district south of Houston Street, known as SoHo. In the 1970s and ’80s SoHo was the City’s best-known art distric. But SoHo art galleries became the victims of the neighborhood's success which they themselves have created. Before the artists moved into SoHo, the neightborhood was an array of empty factories buildings and abandoned warehouses. Artists moved in as the premises had lots of light and space, and were dirt cheap. As the artists were right there, the art galleries sprang up. The neighboorhood attarcted crowds and so retailers decided to capitalize on the cool images that SoHo have attained. They flooded the area and it made the rents go skyhigh and made the area unaffordable to the artist community. This story repeats itself in many towns and cities all over the world, and so instead of dwelling on it, let us tell you which other neighborhoods have the galleries that you may want to atend. SoHo has become more of a shopping mall than a place to see intereating art work, although about 20 galleries are still located there. 

The first place that comes to mind when one talks about the artists' and galleries' flight from SoHo is, of course, Chelsea. That's where many of SoHo galleries had to run to when the skyrocketed rent forced them to leave SoHo in the 90s. Chelsea art galleries are located between 18th and 28th Streets going South/North and between 10th and 11th Avenues going East/West. If you start there you may end staying there, as Chelsea's list of galleries has about 200 names or so.

Another gallery district is the Lower East Side, which is located east of Bowery and between Houston and Grand Streets. The galleries here usually show up and coming artists. You can see there lots of local grown art. The neighborhood is filled with inviting bars, cafes and restaurants, and with small smart clothing shops. So you can combine gallery hoping with bar hoping and with shopping for something off the beaten track.
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9 Exhibition Openings at New York Art Galleries (NYC) Fri, 07/26/2024 - and on...

There are over a thousand art galleries in New York, most of which are located in six Manhattan neighborhoods: Chelsea, SoHo, Midtown, Upper East Side, Greenwich Village, and East Village. It is almost impossible to list all the exhibition openings that take place in NYC art galleries. Here is a good sampling to start with.

        

Opening Reception | 2 Exhibitions: Tropical Frequencies / Hope is a discipline


Hope is a discipline inhabits the words of Mariame Kaba, who proposes that hope is neither just a feeling nor horizon but something we do together, using the resources we already have. The exhibition features an ensemble of artists foregrounding memory and political inheritance, who work with collectively held archives—physical and intangible—from documentary record to oral history, ancestral memory to intergenerational learning. Transmitted through textile, installation, video, theater props, artist books and ephemera, Hope is a discipline relays the question: how do we find, remember, and share in the struggles of ancestors? Tropical Frequencies is an exhibition featuring painting, sculpture and installations by artists from the Caribbean who channel and engage with alternate realms in their practices. These spiritual and intangible realms are heavily influenced by diasporic Caribbean culture, the tropics, ancestral  stories, and the artists’ African and/or Indigenous roots. The repurposed organic and manmade materials used throughout the exhibition such as wood, sand, seashells, and recycled clothing,  act as a medium to channel the artist's ancestral homes and the nuanced histories of the Caribbean.
   New York City, NY; NYC
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Sat, Jul 27
12:00 pm

Free
Opening Receptions, July 27, 2024, 07/27/2024, 2 Exhibitions: Tropical Frequencies / Hope is a discipline

Opening Reception | Hope is a discipline: Group Show


This show inhabits the words of Mariame Kaba, who proposes that hope is neither just a feeling, nor a horizon but something we do together, using the resources we already have. This concept of hope inspired a curatorial collective, who envisioned Hope is a discipline to be a traveling project that generates a translocal network of thought partners who practice hope as communal labor. Artists Featured: Adama Delphine Fawundu, Kyuri Jeon, Suneil Sanzgiri, Bread and Puppet Theater, Maggie Wong.
   New York City, NY; NYC
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Sat, Jul 27
4:00 pm

Free
Opening Receptions, July 27, 2024, 07/27/2024, Hope is a discipline: Group Show

Opening Reception | 2 Exhibitions: Squonk, Squonky, Squonkalicious / Dust and Sweat and Feigning Grace


Susan Kim Alvarez: Squonk, Squonky, Squonkalicious Alvarez draws closely upon her own life as the medium to achieve personal meaning and affinity in her works. Her process is carefully uncalculated, highlighting in quick motion her remarkable detail, color, and imagination. Stimulated by her life, family, and community, Alvarez works from imagination to translate humor and chaos towards exploring themes of identity, heritage, community. Spontaneous and unapologetic washes of acrylic weave through Alvarez’ bold characters and fantastical scenes, yielding a candor that reaches still an essence of personality and intimacy. Jen DeLuna: Dust and Sweat and Feigning Grace DeLuna’s figurative works are inspired by her collection of family photographs and found photographs, which provide a spectral snapshot of the past. On account of their inspiration and impressions, DeLuna’s oil-painted subjects are wrapped in blurry hazes with moments that pierce the surface in shining and captivating highlights. Deluna crafts uncanny and notionally invasive moments that both extend to the viewer through the figures’ sharp gazes, while at the same time are shielded by private airs. With mystifying and alluring qualities, the works begin to call into question their own viewership and broach the conditions of femininity.
   New York City, NY; NYC
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Fri, Aug 2
6:00 pm

Free
Opening Receptions, August 02, 2024, 08/02/2024, 2 Exhibitions: Squonk, Squonky, Squonkalicious / Dust and Sweat and Feigning Grace

Opening Reception | ARTiculations: Group Show


Why do we feel called to create art? What does art accomplish? Is the clarity of creation a way back to mental health?
   New York City, NY; NYC
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Tue, Aug 6
6:00 pm

Free
Opening Receptions, August 06, 2024, 08/06/2024, ARTiculations: Group Show

Opening Reception | Contemporary Afro-Mexican Photography


Join or the opening reception and public program for Visibility & Resistance: New Acquisitions, Contemporary Afro-Mexican Photography. The exhibition, curated by Dr. Dalila Scruggs, highlights the recent acquisition of contemporary Afro-Mexican photography by Hugo Arellanes Antonio (Costa Chica), Toumani Camara (Mexico City), Koral Carballo (Veracruz) and Dolores Medel (Veracruz). Historically shaped by photographers of European descent, this exhibition foregrounds the voices and vision of a multiplicity of afro-descendent identities as the photographers examine self-representation, highlight the presence of African cultural traditions, meditate on the (dis)connection to place, and critique the ongoing effects of slavery and systemic racism. All four photographers will be in conversation with opening remarks by Dr. Dalila Scruggs, exhibition curator, and a special presentation by artist and performer Baltazar Castellano Melo. The program will be available in English and Spanish. 
   New York City, NY; NYC
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Fri, Aug 9
5:00 pm

Free
Opening Receptions, August 09, 2024, 08/09/2024, Contemporary Afro-Mexican Photography

Open Studios | Visibility & Resistance, Family Day


Attend Family Day on the opening weekend of Visibility & Resistance! Patrons of all ages are invited to join for tours, art making, a Danza de los Diablos mask workshop with artists and performer Baltazar Castellano Melo and Hugo Arellanes Antonio, and an interactive presentation of the Danza de los Diablos (Dance of the Devils), a celebrated traditional dance in Afro-Mexican communities from the coastal regions of Guerrero and Oaxaca. Visibility & Resistance: New Acquisitions, Contemporary Afro-Mexican Photography, curated by Dr. Dalila Scruggs, highlights the Schomburg Center's recent acquisition of contemporary Afro-Mexican photography by Hugo Arellanes Antonio (Costa Chica), Toumani Camara (Mexico City), Koral Carballo (Veracruz) and Dolores Medel (Veracruz). Historically shaped by photographers of European descent, this exhibition foregrounds the voices and vision of a multiplicity of afro-descendent identities as the photographers examine self-representation, highlight the presence of African cultural traditions, meditate on the (dis)connection to place, and critique the ongoing effects of slavery and systemic racism. Support provided in part by Mexico-United States Commission for Educational and Cultural Exchange (COMEXUS). Activities will be available in English and Spanish. Schedule 12 PM - 1:30 PM: Letters From Home Artmaking 12:30 PM (ongoing): Tours of Visibility & Resistance: New Acquisitions, Contemporary Afro-Mexican Photography (12:30PM, 1:30 PM, & 3:30 PM) 1:30 PM - 3:00 PM: Danza de los Diablos (Dance of the Devils) Mask Making 3:15 PM: Join in a community presentation of Danza de los Diablos, celebrated traditional dance in Afro-Mexican communities from the coastal regions of Guerrero and Oaxaca. The procession will be led by artists and performer Baltazar Castellano Melo.
   New York City, NY; NYC
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Sat, Aug 10
12:00 pm

Free
Open Studioss, August 10, 2024, 08/10/2024, Visibility & Resistance, Family Day

Opening Reception | Andrea Blum: Biota


Andrea Blum has worked at the intersection of art, design, and architecture for over forty years. She began making temporary installations in the mid-1970s and in the decades since, she has created numerous public artworks for cities and universities across the United States and Europe. These include plazas, parks, mobile homes, libraries, an aviary, and sets for a Paris opera. Her exhibition designs for museums and galleries reconfigure how viewers perceive familiar spaces and one another. Blum’s sculptures frequently place bodies in proximity without the ability to touch. A tension between autonomy and intimate connection runs throughout the works. 
   New York City, NY; NYC
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Wed, Sep 4
6:00 pm

Free
Opening Receptions, September 04, 2024, 09/04/2024, Andrea Blum: Biota

Opening Reception | Nengi Omuku: Wild Things and Perennials


This new body of eight oil paintings, each uniquely realized on the traditional Nigerian textile sanyan, develops Omuku’s vision of painting as a constant and sustaining force in a perpetually changing world. Omuku’s impressionistic landscapes and distinctive, rich palettes provide enveloping spaces for the artist’s loosely rendered individual and group portraits. Blending interior and exterior, figure and ground, Omuku explores themes of refuge and stillness interwoven with personal narratives drawn from her recent experiences in Lagos, London, New York, and in residence at Civitella Ranieri, Italy.
   New York City, NY; NYC
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Wed, Sep 4
6:00 pm

Free
Opening Receptions, September 04, 2024, 09/04/2024, Nengi Omuku: Wild Things and Perennials

Opening Reception | At-Will Adaptation: A 3-Artist Show


Artists: Quan Wenfei, Echo Yan, Yang Shuai The three artists, working in various mediums such as sculpture, painting, drawing, printmaking, collage, woodwork, metalwork, glasswork, performance, among others, will create entirely new artworks using the gallery as their studio.
   New York City, NY; NYC
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Sat, Sep 7
6:00 pm

Free
Opening Receptions, September 07, 2024, 09/07/2024, At-Will Adaptation: A 3-Artist Show
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Performance | Acclaimed Comedian/Actor at a Major NYC Venue

Regular Price: $50
CFT Member Price: $0.00

Theater | Storytelling at its Best from Far Away

Regular Price: $51
CFT Member Price: $0.00
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