Enjoy a talk by abstract artist Jacqueline Humphries, who has been working through the question of what contemporary abstract painting can mean in a society mediated online. Excavating the limits of her medium, Humphries generates a density of languages, forms, and gestures native not only to the history of painting but also the codes and aesthetic registers that belong to the endless scroll of data and commerce on the flat, cold surfaces of screens. Honing in on the surface of things, she has used gridded stencils, fluorescent paint, emoticons, and black light, among other materials in order to paraphrase, parody, and rewrite the codes of post-war abstraction. She disrupts the traditional oppositions of figure/ground and flatness/depth to create anti-illusionistic, anti-representational images, making and then, as she calls it “unmaking” her works in order to toy with ideas of historicization and authenticity. As such, Humphries’ work revels in its playful profanity, the pleasure of its sheer materiality seeping from its surface. She describes her search as one for “a kind of psychological hook”, evoking suspense or a sense of something wrong.
New York City, NY; NYC