Subjective Histories of Sculpture: Lucy Skaer
Another edition of Subjective Histories of Sculpture, this year with Lucy Skaer. The artist has been invited to cite specific works, bodies of work, texts, or even personal anecdotes taken from inside and outside cultural production, and inside and outside "art," to develop her own, subjective, incomplete, partial, or otherwise eclectic histories question assumptions and propose alternative methods for understanding sculpture's evolving strategies.
Lucy Skaer is a multi-disciplinary artist working in sculpture, photography, installation, printmaking, and film, who displaces the familiar through manipulations in scale and material. Her resulting works embrace multiplicity and abstraction while questioning our day-to-day perception and supposed knowledge of the world. Transformations of existing artifacts and architectural elements create a loss of bearing and question the reliability of memory and history itself. Skaer often incorporates pre-existing imagery or found forms to re-imagine and re-materialize history in objects whose meanings migrate and become transposed as they take on different forms. Her sculpture and works on paper create a type of linguistic system, one that merges subject and object and favors open gestures rather than distinct references.
New York City, NY; NYC
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