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March 30, 2017. New York City (NYC) never ceases to amaze you with quantity and quality of its free culture and free entertainment whether it's summer or winter, spring or fall, January or June, May or September.
New York's cultural scene is at its busiest in October and March (and the same goes for free events, free things to do), but other months of the year still offer incredible amount of high quality, off the beaten path, unique free events, free things to do which will take your breath away!
So start using these unique New York City opportunities today, March 30, 2017!
Free things to do, free events that take place in New York City every day of the year are truly amazing. So if you're looking for something interesting to do today (March 30, 2017) or on any other day of the year don't miss those free-of-charge opportunities that only New York provides! You can find lots of high quality, off the beaten path, unique free events, free things to do which will take your breath away!
Our cultural, political and physical geographies proliferate with wounded places: sites of conflict and natural disasters; places marked by layers of turmoil and conquests; impromptu refuge locations that become permanent. “Making home” in these places, seldom a choice, becomes simultaneously a material and symbolic endeavor, involving both design and memory practices.Wounded places are scarred with collective memory of what had happened: they contain markers of the past, which may or may not be legible to those who make home there. Mnemonic activities, whether vernacular (informal) or officially imposed, can either facilitate or constrain the making of home in wounded places.
This international symposium is conceived as a polyphonic intervention engaging the realms of design studies, art, and the social sciences. We propose the following questions to inform our discussions:
How to make home in wounded places?
What is the role of memory tensions in this process?
How does the (re)design of wounded places impact their users?
How are wounded places appropriated by the politics of memory?
What are the strategies for navigating through wounded places — as individuals, as communities, as societies?