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April 29, 2017. New York City (NYC) never ceases to amaze you with quantity and quality of its free culture and free entertainment whether it's summer or winter, spring or fall, January or June, May or September.
New York's cultural scene is at its busiest in October and March (and the same goes for free events, free things to do), but other months of the year still offer incredible amount of high quality, off the beaten path, unique free events, free things to do which will take your breath away!
So start using these unique New York City opportunities today, April 29, 2017!
Free things to do, free events that take place in New York City every day of the year are truly amazing. So if you're looking for something interesting to do today (April 29, 2017) or on any other day of the year don't miss those free-of-charge opportunities that only New York provides! You can find lots of high quality, off the beaten path, unique free events, free things to do which will take your breath away!
This initiative investigates Brazilian modernist photography, its relationship to race, and its place within a dynamic international network of images and ideas. From experimental work that resonates with broader postwar trends of creative photographic expression to modern forms with local and sometimes ethnic inflections, photographers were instrumental in formulating new visual languages in Brazil. Since 1939, the São Paulo-based Foto Cine Clube Bandeirante (FCCB) nurtured a wide range of avant-garde practices that anticipated many elements of Concrete Art in Brazil featured at the first São Paulo Biennial in 1951. This diverse group included photographers from immigrant communities such as São Paulo’s growing German, Hungarian, Jewish, Italian, and Japanese populations. These artists participated in international networks of exchange around the globe that increased their visibility and expanded their approach.
Taking FCCB as a starting point, the conference stretches the boundaries of what we understand as experimental art in Brazil in the mid-twentieth century. Photography has been largely excluded from current scholarship about Brazilian modernism and abstraction, and Brazilian photographers of this era are overlooked in narratives around modern photography. The aims of the conference are thus threefold: first, we will examine the distinctive nature of Brazilian modernist photography. Second, we hope to explore photography within the context of modernist and abstract art in Brazil, probing the relationship of modernist photography to other marginalized media and art forms such as mail art and Afro-Brazilian art. Third, we encourage an international perspective that investigates networks of modernist photography through transnational photo clubs, salons, exhibitions, and the many magazines that flourished domestically and across Latin America, the United States and Europe.