Join the Club!
March 30, 2017. New York City (NYC) never ceases to amaze you with quantity and quality of its free culture and free entertainment whether it's summer or winter, spring or fall, January or June, May or September.
New York's cultural scene is at its busiest in October and March (and the same goes for free events, free things to do), but other months of the year still offer incredible amount of high quality, off the beaten path, unique free events, free things to do which will take your breath away!
So start using these unique New York City opportunities today, March 30, 2017!
Free things to do, free events that take place in New York City every day of the year are truly amazing. So if you're looking for something interesting to do today (March 30, 2017) or on any other day of the year don't miss those free-of-charge opportunities that only New York provides! You can find lots of high quality, off the beaten path, unique free events, free things to do which will take your breath away!
This is the second of three colloquia that ground theIndigenous New York series this year. The series is a public program and research initiative developed in collaboration with artist Alan Michelson and in consultation with artist Jackson Polys. It facilitates collaborations and exchanges among contemporary curators, artists, critics and scholars through public events and colloquia that focus on indigeneity and the legacy of colonialism and position the local as evidence of concerns shared globally.
The first of this series, Indigenous New York, Curatorially Speaking examined four key inquiries: indigenous and non-indigenous epistemologies and methodologies; the non-colonial museum; challenges of collaborative curation; and the growing indigenization of international art. Building on the success of the first colloquium, the second Indigenous New York, Critically Speaking, will provide opportunities for meaningful exchange between indigenous and non-indigenous critics and the public and examine how a fuller consideration of indigenous creative production might reconfigure regimes of critical writing.